2022, Light Art Grindelwald
Exhibitions
Light Art Grindelwald (CH), 2022
Dimensions
17m x 9m x 3.5m
Materials
Holographic Foil, Haze, Sound,Ventilator, LED, Mirrors
Concept & Realization
Jacqueline Hen
Assistant
Hannah Loibl
Photos
Andri Laukas, Marius F.rster
Video
Jacqueline Hen
Throughout history, societies have been invested in getting to know and telling origin stories about humankind and the world. Whether we perceive knowledge production as scientific or mythical, what‘s palpable is an urge to ensure oneself (or a society) about one relation within nature. More often than not, the sun becomes an essential actor in those explanatory models.
The installation Formation of the Sun refers to the Collision Theory. This astronomical model says that the solar system and following life on our planet might result from a collision between the Milky Way and a neighboring galaxy called Sagittarius. Through this encounter, a solar nebula was created that densified into the sun through gravitation and time, making life on Earth possible. In the installation, a walkable golden sphere is permeated by two light beams that collide in its center. The light is scattered in all directions through a mirrored artifact, slowly rotating between two circles of light that are pulling the sphere toward the collision point. The space is filled with haze and a droning sound – a sonification of the sun‘s surface recorded by NASA. Through the amalgamation of light, haze, and sound, the artwork creates an immersive and emotional space that aims to blur boundaries between scientific and mythical thinking. Its ambivalent character tries to question the necessity of a universal, all-encompassing narrative while celebrating the capabilities of the modern sciences.
How does astronomical knowledge impact our relationship to everyday life? What stories need to be told and related to that allow existing as part of that thin layer of the planet Earth that sustains life? What ideas oscillate between order and chaos that outpace economics-drenched epistemologies?
2019, Center for International Light Art, Unna (GER)
13x8m, Mixed Media
Jacqueline Hen with Manuel Ahnemüller
The installation LIGHT HIGH is aimed at guiding the perception through targeted acoustic and visual phenomena into border areas in which ambivalent experiences set in and the habitual experience of space is abolished. The starting point was the idea of a space that creates the feeling of endless falling. A mirrored ceiling together with a thin reflecting surface of water on the ground and a gridarrangement of lights are creating the spatial illusion of an infinite vertical space of light and darkness. By traversing a small bridge, the visitor can cautiously discover the immersing endlessness beneath his/her feats and above his/her head. The extent of the infinite vertical space changes through the individual viewpoint so it can be fathomed by the viewer’s movement in the freely accessible installation.